| 2007.10.2.357
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A sea monster with the torso and head of a woman and many legs, possibly in the form of snakes, with wild beasts emerging from her body. She's carrying an oar like a weapon. There's a person tangled in her tentacle-like legs. She could be a representation of Scylla.
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| 2007.10.2.58
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Female torso in profile facing left. She appears to be putting on lipstick and holding a cosmetics pot. Her hair is tied up.
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| 2007.10.2.91
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Female torso facing forwards. In her hair is a wreath and she clasps her hands together under her breasts. To her right appears to be hanging a bunch of fruit.
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| 2007.7.1A-S
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Rim (A-D) has tongues on the top, a design with dots and traigular shapes on the sides, with palmettes below; Side A (H-K) shows a symposion, with a bearded man (Dionysos?) and possibly the hoof of a satyr; Side B (L-N) shows a battle. A, B, C: Rim with tongues, side design and palmettes below; D: Rim with tongues and side design, no palmettes below; E: Fragment from just below the rim with the palmette design; F: Fragment from below the rim, all black with part of a palmette on the lower left; G: Black on both sides; H: Head and shoulders of a bearded man(Dionysos?) with the circle and triangular motif running vertically on the right; I: Arm and torso of the bearded man on the upper part, on the lower part there is another object which could be his couch; J: Left half is black, right half contains an unclear section of the symposion scene; K: Drapery, most likely from the symposion scene, with a drinking horn in the lower right corner and possibly the hoof of a satyr; L: Top half of the battle scene, with a nude man holding a spear, and probably a tree running vertically along the left side. The scene is bounded by the circle and triangle design; M: Lower half of L, with the lower body of the nude man, drapery on the left side; N: Leg of the nude man, with the lower part of the tree running vertically on the left; O-P: Plain black; Q: Black, with part of the circle and triangle design; R: Black, with part of a design on the top; S: Base, tongue design
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| 2009.10.2.346
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The image shows the left side of a man making a statue, which has a head and a torso. There is a sheep looking on from the left and a horse looking on from the right. Number 2
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| 2009.10.2.78
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Right side view of a man with curly hair and wearing a head garland. His torso is partially naked. Number - 10
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| 2009.8.174
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Bare torso of a man with a beard and a wreath in his hair, looking right. Cast number: 28
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| 2009.9.142
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A naked winged man is riding a sea-horse (horse torso, serpent body). Cast number: 76
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| 2009.9.143
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A naked winged child riding a sea-horse (horse torso, serpent body). Cast number: 77
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| 2009.9.219
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A creature with a human's torso and a bird's body, dressed in full armour, wings attached on the back, holding a sword in one hand. Cast number: 54
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| 2009.9.29
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A monster with a rooster's head, a man's torso and instead of feet it has two serpents, holding a weapon and a spear. On the right side a star, on the left side another weapon, looks like a dagger. Inscription at the bottom. Cast number: 43
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| 2009.9.58
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A figure with a baboon's torso and a male human's body bedding over a lying sphinx from behind. Probably alluding to the Egyptian God Thot.
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| 2009.9.70
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A herme with the torso of a satyr with an erect penis, an ecstatically dancing half naked woman holding a puppet or little man playing the flute in a hand. On her right side a small man sitting in some kind of basket playing another musical instrument. Cast number: 3
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| 50.12.48
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Single fragment preserves the cylindrical torso of a 'phi' or 'psi' figurine (probably the latter), with red-brown painted lines running vertically down its edge.
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| 83.11.1
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Torso of seated female figurine, and legs to just below knees. Right arm (articulated). Blobs representing (?) jewlery arranged in a saltine cross over front of body, and horizontal row at waist. Tow incised lines on left thigh. Clay orange pink.
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| 87.2.1
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Horse decorated with white slip on pale orange, with dark red (for black?) stripes on chest, legs, mane, tail, and harness. Head and mouth of the horse shows representation of bridle, with thin horizontal bands down the neck representing the mane. There are two horizontal bands around the main torso of the horse. Horizontal bands also decorate the legs, chest and tail of the horse figurine. Front legs are slightly projected forward, as are the rear legs backwards. The legs are straight and disproportionately long compared to the head and torso.
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| REDMG:2004.95.1
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Interior of mouth black; lip reserved; exterior of mouth black, as is handle (repainted); vertical bars at the bottom of the neck; lotus-dot chain on the shoulder; Dionysos riding on a mule, between two satyrs, one holding a maenad. Below the figural scene is a black band, a reserved band, and then a black zone extending to the foot, which is black on the top, reserved on the convex surface and the underside.
Figural scene: A nude satyr (in a crouching pose) runs profile to the right, holding a maenad on his shoulder; the maenad, who turns her head profile to the left, stretches her arms to either side and holds a rhyton in her slightly upraised left hand. She wears a kekryphylon (red), necklace (incised) and himation. Dionysos, seated on a mule, rides profile to the right; the god, wearing a red and blck ivy wreath and a himation decorated with red dots, holds a red keras (horn of plenty) from which emerge ivy tendrils that serve as a backdrop for the entire scene. Leading the mule (through use of a white rein, of which a ghost remains) is another nude satyr, running profile to the right, while he turns his head profile to the left. Other details include red on the beards and tails of satyrs and a red fringe for the foremost satyr. Incision is used extensively for anatomy and drapery. An unusual effect is created through the use of incision for the forearm of the leading satyr, which he lays across his torso, which is not incised save for two small circles to indicate his nipples.
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| TEMP.2003.2.1
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Fragment with the head and torso of a figure, white marking on the figure's head. Quite deep incisions to outline the figure.
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