| 11.10.13
|
Black on buff, there are leaves around the inside and outside of the rim. Below the rim on the outside is a band of horizontal v shapes. On the main area of the fragment are three redish/black bands, the middle thicker than the other two. On the broad black band, Greek key pattern in applied white paint is still visible. On the lower edge of the fragment is the edge of a black circle. The back of the fragment, except for the rim, is red.
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| 11.10.2
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Cup mouth originally black inside and out with lip reserved. Shoulder had rays and lotus buds. On back, long verticle smear of paint below handle. Main zone is palmettes and lotus buds on cable, perhaps with white outer continuous lines. Bottom of body was orignally black, as is top of foot. Side of foot is reserved as is base.
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| 13.10.26
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Exterior colour quite pale with several large white patches and ridges, interior coated in brown paint.
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| 13.10.38
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Right hand side has lock of hair, lost on left. May have been painted in read wash, although no other paint remains.
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| 14.9.30
|
Sherd with fragment of handle attached. Interior surface is reserved showing the pale clay. The exterior is covered with dull black paint and has superimposed bands of white with the suggestion that there is some pattern inside the band. Small section of handle is black as well. No finished edges.
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| 14.9.33
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Fragment belonging to the rim of a vase made of fine fabric. Dull black paint inside and out. The exterior surface had white band around rim above spirals or tendrils with three horizontal bands below. The interior had a white band round rim. The material gets thinner at the rim.
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| 14.9.34
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Fragment of a flat base. Chocolate coloured paint inside and out, including a flat base, all glazed. Exterior has 6 horizontal bands of white near the bottom, the lowest one broader than the five upper ones. On base two white parallel lines.
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| 14.9.37
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Fragment of thick clay with rim attached. Buff clay with black paint. Inside is painted black. The Outside has a black narrow band at rim with a coiled leaf pattern below, followed by blurry bands.
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| 14.9.38
|
Pinkish-buff clay with brick red paint. The exterior surface has a band at rim above a spiral with linking lines with small petal-like crescents between them. Inside, the surface is red.
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| 14.9.39
|
Clear buff clay with brownish-black paint. Outside broad band at rim with some red showing through. Below, on body are linked spirals with red glaze appearing through black. Inside the rim is black with the lower part of the fragment reserved. There is however, the start of a line running downwards at right.
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| 14.9.40
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Buff clay with dull black paint. The outer surface has a band at the rim with a double foliate band on body with another plain band below. The inside surface is chocolate brown faded from black.
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| 14.9.41
|
Pinkish clay with black paint. Outer surface has a narrow band at rim above two rows of dots between thin bands with plain bands below. Interior surface has a creamy-yellow slip.
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| 14.9.42
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Pinkish-buff clay. Exterior surface has poor, dull black paint in a pattern of three linked spirals between broad bands. Interior surface is reserved except for an irregular streak of red top to bottom. No finished edges.
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| 14.9.44
|
Top edge of rim is painted black. Buff clay with black paint. Outer surface has a ripple pattern based on horizontal band. Inside has similar but the ripple pattern does not extend below the rim, and sits on two bands inside bowl.
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| 14.9.46
|
Black decoration on the outer side of the handle finishing in a V shape at the false lid. The lowest part of the false neck also is decorated with black paint which has discoloured in fierinf process. False lid has a black disk surrounded by three concentric circles with reserved areas separating them.
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| 14.9.48
|
Brick red paint on pinkish buff clay. Interior surface has Two red bands, on on top of rim and one just below. Main scene is a chariot with three passengers facing to right. The broad band below rim has practically obliterated the heads and shoulders. On outer surface is a red band just below rim.
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| 14.9.49
|
Brick red paint on pinkish-buff clay. On the exterior surface is a band around the rim and one just below, but broader. Design is a little unclear but perhaps shows the heads and shoulders of two men (perhaps in a chariot ?) wearing clothing patterned with dots. On the underside is a red band around rim leaving the rest reserved.
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| 14.9.50
|
Shiny red-brown paint on pale buff clay. On outside is a broad band under rim with a loop with cross-piece in centre hanging from it. Both parts have transverse bars. Below and along fracture is a curved line. The interior surface is reserved in the lower part but has as broad band covering rim at the top.
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| 14.9.52
|
Black paint has faded to brownish-orange. Between two pairs of painted bands on the lower-side of the top band and the upper-side of the lower band there is a three tiered fish-scale design. In between there are painted circles that are surrounded with little dots. A band of faded black paint frames the place where the handle might have been.
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| 14.9.56
|
Brownish black paint on buff clay. Design of connected spirals, with chevrons in the spaces between. Underside is reserved.
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| 14.9.59
|
Series of banded sections on pale buff background. Top section plain painted band faded to brown, followed by band of small black dots between two lines, then thick black band and 2 thin black lines then another black band that has faded to red and finally a thin black line with one further band that covers the corner and is visible on the bottom. The rest of the bottom is the pale buff of the clay. Inside has traces of brown paint particularly near the top.
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| 14.9.6
|
Geometric patterns including crosshatching and diamond patterns in black paint on white slip. Short black lines on rim and interior of lip.
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| 14.9.62
|
9 red bands of approx. equal width, a couple fading on edges to yellow, red paint worn away towards centre of the piece probably from further bands. Background pale buff. Underside reserved
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| 14.9.69
|
Black painted design. 2 thick lines diverging from medium-sized black section. 1 curves round, the other is straight with a subsidary line curving away. Over the top of the main black region is a largely worn away blob of red paint and there is wavy incised line through the bottom. More incised lines cross the black lines with most falling on the curved one. Pale buff Background. Inside painted black
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| 14.9.70
|
Black petals around small circular indentation. Black painted section split into 3 sections by incised lines; 1 plain, 2nd with red paint over black, 3rd with incised lines at right angles to section lines. Further small black painted section. Background pale buff. Inside reserved.
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| 14.9.86
|
Interior black as is handle on top although it is reserved underneath. The design appears to the right of existing handle, and is of a satyr, facing right, with horn in thinned paint. To his right is an eye pattern. Detail is incised.
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|
| 2003.7.16
|
Curved fragment with rim and stump of handle suggests it was a bowl or cup due to how it open it appears as a shape. The interior is painted entirely in black, with a hint of red (fading?) near the top. The exterior has two black bands, one on the rim and one below the rim which also covers the handle stump. Beneath the handle there is a strip of faded white paint, followed by a red/dark brown stripe, then the rest is white with a thin horizontal black line and possible a thicker vertical black line dividing the white decoration in half.
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|
| 2003.7.18
|
Part of a base of a bowl/jar. Interior is painted in bla, Exterior: bottom of body, side of rim on base and inside of rim on base is painted in black. Then the underside has a broad band of white, and an inner circle of red/dark brown paint.
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|
| 2003.7.22
|
Possibly top part of a bowl/jug due to smooth edge of rim and the way it curves half way down. The interior side is painted in black. The exterior has the top half painted in white, with two lines of small black dots parellel to each other at the edges of the white paint. There are two dark brown/faded blakc parellel lines which have two black squares at either end of them. There is a narrow red line beneath the white, with a black area beneath that. The clay is quite smooth.
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|
| 2004.8.4
|
The rim is decorated with a thin black band, with a reserved band below and another black band below this. Two youths (black in colour) stand facing each other, with the figure on the right presenting a white cock, of which, elements remain (painted over the figure). Behind each figure the tail and part of a sphinx can be seen. The sphinx behind the right figure has incised lines dividing the wing feathers. The centre of the sphinx's wing appears purple in colour. There are faint, incised lines that give the outline of the youths' heads (where paint has been worn away). The reverse of the fragment is black with a reserved circle on top of the rim.
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|
| 2004.8.6
|
Six, black palmettes (two only partially visible), set against a reserved background. Left of the palmettes is a verticle, thin black line. Above the palmettes there is a thick black band around the rim, with black paint on the rim itself too.
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|
| 2005.3.8
|
Surviving section of rim has bands, handle is painted although pattern is unclear, traces of paint around edge of fragment suggests that main body of the vase also carried decoration.
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| 2006.12.103
|
Scraps of black and white paint.
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| 2006.12.105
|
Black paint over much of the outer surface, although it is worn and chipped.
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|
| 2006.12.109
|
Worn black paint
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|
| 2006.12.110
|
Possibly very worn black paint on one side, but could be general damage.
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|
| 2006.12.112
|
Black paint on inside and outside, very chipped and faded.
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| 2006.12.113
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Worn black and orange red paint over most of the fragment; unable to recognise larger pattern
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|
| 2006.12.114
|
Worn black paint on inside; black triangle on what remains of base and two thick worn black paint bands on outer surface.
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| 2006.12.115
|
Orange-red paint on and around part of handle, thick black strip of paint around edge, worn
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| 2006.12.116
|
Black paint on inner surface; black and faded brown lines on outer surface.
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|
| 2006.12.119
|
Black and white paint bands on inner surface; black and white paint on outer surface but badly damaged.
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| 2006.12.12
|
On the inner surface shallow and thick black/red-brown lines with thick section of black paint. On outer surface there are spiral patterns in between two sets of lines in brown.
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|
| 2006.12.120
|
BLack paint on innser surface; unevenly shaped black lines running in different decorations on outer surface; worn.
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|
| 2006.12.121
|
Black paint lines on white paint decoration; heavily worn.
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|
| 2006.12.123
|
Black and white paint lines, heavily chipped and worn.
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| 2006.12.124
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Black paint on inner surface; bands of faded brown and thicker black paint on outer surface.
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| 2006.12.125
|
Scraps of black and white paint but almost entirely destroyed.
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| 2006.12.14
|
Line of brown paint around rim, with dark brown dots on orange-brown lines below. Zig zag pattern of brown lines beneath this
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| 2006.12.15
|
One half of outside is grey lines on a white surface, in an unidentifiable pattern; Other half is hatched grey lines on white paint with brown spots in centre and red band just visible at very edge of fragment; all decoration appear faded
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| 2006.12.19
|
Dots of black paint heavily worn with small bits of black paint in other places, suggesting a heavily worn decoration
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| 2006.12.2
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Black paint on outer surface, worn
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| 2006.12.20
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Worn black paint on outside with red paint line following curve
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| 2006.12.21
|
Inside painted black with red band at rim; Outside dark brown band by rim, with black paint below chipped band
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| 2006.12.25
|
White paint with black decoration. Base has black concentric circles, with rays on the side.
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| 2006.12.33
|
Black bands and oval freehand brush strokes onto white paint background
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| 2006.12.4
|
Inner surface painted black with unpainted band near rim; outer surface painted black near rim, area below unpainted but with curved line suggesting part of larger design. Paint is worn near rim
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| 2006.12.52
|
Black paint with grooves engraved into it
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| 2006.12.53
|
Worn black paint; only a very small amount remains at all
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| 2006.12.54
|
Block of black paint, adjacent area with red and white lines and other patterns but difficult to identify due to wear
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| 2006.12.58
|
Black paint, slightly worn
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| 2006.12.59
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Red lines on white paint barely recognisable
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| 2006.12.60
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Small amount of dark paint on inside; heavily worn
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| 2006.12.61
|
Black paint; ridged
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|
| 2006.12.62
|
Black paint on inside; Black lines on white paint on outside, some running perpendicular to others, very worn
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|
| 2006.12.63
|
Black paint with part of what seems to be a white line inside a white box; some wear
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| 2006.12.64
|
Black paint with two white lines
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| 2006.12.66
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Eroded black paint in some parts, other parts probablt not decorated
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|
| 2006.12.67
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Black paint; mostly worn
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| 2006.12.69
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Black and white paint on both sides; heavily worn but possibly a line pattern
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| 2006.12.7
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Black paint, chipped and worn
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| 2006.12.70
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Black paint with ridges; slightly worn
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| 2006.12.71
|
Black paint on inside; White paint with parallel black lines on outside
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| 2006.12.72
|
Solid black paint on inside; black lines on outside
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| 2006.12.73
|
Black paint on both inside and outside; outside has four white paint arcs that could be concentric white circles, inside has single white paint arc; decoration worn
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| 2006.12.75
|
Some black paint, possibly a linear decoration but wear makes identification difficult
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| 2006.12.76
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White paint with black lines; heavily worn
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| 2006.12.77
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Black paint; very worn
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| 2006.12.78
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Zig-zag design in black paint; heavily worn
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| 2006.12.8
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Black glaze with red band on inner surface; worn red and black paint on rim; black paint on outer surface, slightly worn and chipped
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| 2006.12.9
|
Worn black geometric designs on white paint
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| 2006.12.93
|
Worn and chipped black paint
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|
| 2007.4.100
|
Black paint on inside; some bits of black paint including a line on outside but possibly worn
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|
| 2007.4.101
|
Black paint on inside; red and brown parallel lines on outside
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| 2007.4.102
|
Black paint on inside; Scraps of black paint on outside
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|
| 2007.4.104
|
Worn black and red paint
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|
| 2007.4.108
|
Barely visible scraps of black paint.
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| 2007.4.110
|
Black paint on one side.
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| 2007.4.115
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Red brown zig zag pattern on white paint; heavily chipped and worn
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|
| 2007.4.116
|
Very faded black paint lines visible on both inner and outer surface, but not enough to assess decoration
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|
| 2007.4.117
|
One surface has black paint with concentric white bands; other surface has brown paint with concentric white bands; worn
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|
| 2007.4.118
|
Concentric black paint bands on rim; black paint band following rim on outer surface with perpendicular black lines coming off it; worn and faded
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|
| 2007.4.119
|
Outer surface deocration heavily worn, possible scraps of white and black paint but no discernable pattern; inner surface has irregular black paint tongues on rim and black and white paint bands on inner surface, worn
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|
| 2007.4.120
|
Mostly worn black paint on inside and outside
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| 2007.4.121
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Scraps of black paint on white background on outer surface; worn
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|
| 2007.4.122
|
Black paint on inner ? surface; brown paint on outer ? surface; small size of fragment makes definitive assessment difficult
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| 2007.4.123
|
Black paint on inner surface; black paint with two uncoloured bands near rim on outer surface; uncoloured bands have tracces of white paint on them suggesting they were previously entirely white
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| 2007.4.124
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Black parallel lines next to broken handle; white paint under handle; faded black parallel lines perpendicular to other lines above and below area of handle; decoration worn, faded and chipped
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| 2007.4.125
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Very faded black paint lines on white paint
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| 2007.4.126
|
Black paint on inside; outside has lines of faded brown on a white background in both parallel line designs and chevrons; heavily worn
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|
| 2007.4.128
|
black paint with band of uncoloured on inner surface; Thick black bands with thinner faded brown bands on white paint on outer surface; worn and chipped
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|
| 2007.4.129
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Worn black paint with thick white paint band on inner surface; worn bands of black paint on outside suggesting more complicated pattern but difficult to recognise
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|
| 2007.4.134
|
Very faded, but evidence of red paint on one side, painted in circles
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|
| 2007.4.153
|
Evidence of red paint on one side
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| 2007.4.185
|
Concentric circles of black paint
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|
| 2007.4.187
|
Concentric cirlces of black paint
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|
| 2007.4.194
|
Faded black paint with dots inside interconnected circles on white paint background
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| 2007.4.195
|
Worn wavy red paint lines on white background
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| 2007.4.200
|
Very rough areas of brown-red paint; at edge of fragment is part of a geometric design.
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|
| 2007.4.201
|
Thick black band below rim with several thinner black lines perpendicular to it; black paint all ove rinner surface; worn.
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|
| 2007.4.209
|
Single black band on inner surface; 3 black bands on white paint with black paint "S" and dot design on lower part of fragment.
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|
| 2007.4.212
|
Black paint lines and triangular shapes
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|
| 2007.4.214
|
White paint with 3 parallel black lines next to a hatched area
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|
| 2007.4.218
|
Red paint "S" shapes on white background, slightly worn
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|
| 2007.4.225
|
Worn black and white ? paint.
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| 2007.4.234
|
Very faded black paint on outer surface, very faded white paint on innser surface
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|
| 2007.4.68
|
Bands of red and black paint, worn
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|
| 2007.4.69
|
Rough black painted lines on one side; worn black paint on the other side
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|
| 2007.4.71
|
Scraps of red-brown paint show a decoration was present, but is too unclear to make an identification of what it was
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|
| 2007.4.72
|
Close inspection of outer surface shows a very faint parallel lines and zig zag pattern. Paint has presumably almost entirely worn away.
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|
| 2007.4.75
|
Some sort of red glaze or paint; fire damage makes identification more difficult
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|
| 2007.4.81
|
Scraps of black paint
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|
| 2007.4.82
|
Worn black paint
|
|
| 2007.4.86
|
Black paint inside and outside, but not on underside of base; worn
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|
| 2007.4.92
|
Black paint on inside; thick bands of red paint on outside
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|
| 2007.4.93
|
Black paint on inside; black line around rim on outside with two black lines running perpendicular to it
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|
| 2007.4.95
|
Worn black paint on inside and outside
|
|
| 2007.4.97
|
Black lines on outside with very faded brown lines perpendicular, red paint on inside
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|
| 2007.4.98
|
Black paint on inside and outside, worn
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|
| 2007.4.99
|
Dark brown paint on inside and outside
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|
| 2007.9.12
|
Slightly glossy black paint on inside surface, matte black on outside, very fine incised lines on outside of clay body.
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|
| 2007.9.4
|
Outer and inner surfaces painted black, the inside paint being of a more glossy nature.
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|
| 2022.7.8.a
|
the inside of fragments is painted with black and opaque paint; the external surface of the fragment is decorated with black and shiny paint; the first big ring of the base is painted with a brownish paint
|
|
| 2022.7.8.b
|
the inside of fragments is painted with black and opaque paint; the external surface of the fragment is decorated with black and shiny paint; the first big ring of the base is painted with a brownish paint
|
|
| 2022.7.8.c
|
the inside of fragments is painted with black and opaque paint; the external surface of the fragment is decorated with black and shiny paint; the first big ring of the base is painted with a brownish paint
|
|
| 2022.7.8.d
|
the inside of fragments is painted with black and opaque paint; the external surface of the fragment is decorated with black and shiny paint; the first big ring of the base is painted with a brownish paint
|
|
| 2022.7.8.e
|
the inside of fragments is painted with black and opaque paint; the external surface of the fragment is decorated with black and shiny paint; the first big ring of the base is painted with a brownish paint
|
|
| 2022.7.8.f
|
the inside of fragments is painted with black and opaque paint; the external surface of the fragment is decorated with black and shiny paint; the first big ring of the base is painted with a brownish paint
|
|
| 2022.7.8.g
|
the inside of fragments is painted with black and opaque paint; the external surface of the fragment is decorated with black and shiny paint; the first big ring of the base is painted with a brownish paint
|
|
| 2022.7.8.h
|
the inside of fragments is painted with black and opaque paint; the external surface of the fragment is decorated with black and shiny paint; the first big ring of the base is painted with a brownish paint
|
|
| 2022.7.8.i
|
the inside of fragments is painted with black and opaque paint; the external surface of the fragment is decorated with black and shiny paint; the first big ring of the base is painted with a brownish paint
|
|
| 2022.7.8.l
|
the inside of fragments is painted with black and opaque paint; the external surface of the fragment is decorated with black and shiny paint; the first big ring of the base is painted with a brownish paint
|
|
| 2022.7.8.m
|
the inside of fragments is painted with black and opaque paint; the external surface of the fragment is decorated with black and shiny paint; the first big ring of the base is painted with a brownish paint
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|
| 22.3.43
|
Mouth is black and neck has long black tongues. On front is a female head, wearing a sakkos, or scarf bound around her hair. Her head is flanked by tendrils. Barely visible white paint for radiated stephane and necklace. Bow and ribbons from bun at back of head are black. Ring foot is black, which is unevenly carried on to base.
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|
| 22.9.6
|
Black glaze. Cup appears to have been coloured with a strip of red, large strip of black, then small srtip of red, large strip of black continuing until a small rim of red paint situated on foot of base. Base has indented strips around it with a concaved underside.
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|
| 23.11.25
|
Black paint; one band of reddish purple around body; one band or reddish purple around opening
|
|
| 23.11.27
|
Black paint
|
|
| 25.6.8
|
Black line along rim. 2 small black possibly floral designs with 2 thin wavy lines between them, which have faded from black, on a reserved background. Inside is black with small bits of paint chipped away.
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|
| 25.8.2
|
Paint fired red. The rim of the bowl is red. Inside has an eight pointed cross whose spokes reach from the rim to the base. Outside has a red band around rim and a main design of seven long-necked birds facing right with dot rosettes in the field. On bottom is an uneven, eight-spoked wheel with two holes pierced in bottom, one opposite the other.
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|
| 26.12.23
|
Outside, a dozen daubs of paint irregularly placed. Inside, uneven band round rim and black daub in centre.
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|
| 26.12.6
|
Pale greenish clay once decorated with black paint, now brown. Two handles left reserved. Mouth black and on shoulder is a daisy-petal pattern. Just above the widest part of the body is a single row of dots and the rest is banded.
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|
| 26.2.80
|
dull black paint inside; traces of band in added white; frieze of tongues with incised outline on top of rim, alternating black, added white, and added red; second similar frieze on shoulder.
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|
| 26.7.5
|
On top of mouth are four equal width bands and on the side are dots. Horizontal bands appear on the handle. Daisy pattern on shoulder. Three warriors marching right in snowstorm; spears sloping forwards. Shields divided vertically by three incised lines; some added red paint. Below, three narrow bands, three wider and small inverted base. Large area left plain in the 'white style'.
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|
| 26.8.3
|
Mouth black inside and out with a reserved rim. Shoulder bars at base of neck, lower buds which have almost degenerated into rays. At top of body is a debased checker board in three rows. Main design is of Athena attacking a giant who is beaten to his knees, between trees. Below are reserved bands and rest of body is black. Top of foot is black as is lower step. Base has traces of black paint.
|
|
| 27.3.1
|
Greenish ground. Inside is purple/red band then brown paint inside. Outside from top to bottom; black, white, red, white, brown, white, red. Eight black rays radiating from bottom. On base are three concentric black circles, the outermost is the broadest.
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|
| 27.3.2
|
Pale cream ground, paint brownish-black. In handle zone vertical bars, rest horizontal bands. Inside brown for black.
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| 27.4.15
|
Pale clay, paint fired red. Trefoil lip. On neck, a central panel with bird (?), flanked on either side by two vertical lines, panel of zigzag (?) or oblique lines, three more vertical lines. Top and bottom of body broad band; thin bands filling space
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|
| 27.4.2
|
Large part of one side smeared(?). The paint is fired red throughout. On the rim is a red band, the inside of the pot is completely red, though the glaze appears black towardes the centre. On the outside, a thick red band lies above two rows of leaves, separated by a thin band. Below the second row of leaves is another thick band, which reaches nearly to the rim of the foot. The foot rim and base are reserved.
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|
| 27.4.4
|
Paint is red-brown. Single handle with incised line down back creating two halves. Trefoil mouth with short bars around, leading to long straight neck. On neck are two parallel bands at the top, above four groups of three tongues with a red bar across top. Three bands separate neck design from shoulder design of three grazing deer facing right with zig-zag fill ornaments above shoulders and a small bird (?) on extreme left. On body is one zone of checks and then bands to base. Base is flat and reserved.
|
|
| 28.6.1
|
Handle all black, as is neck and back of body. At the front on shoulder is an inverted swirl / wave pattern, consisting of four waves. Below is the main design of an athlete (naked) with a discus standing between two clothed youths, the left of them holding a discus. Robe detail is picked out in black paint. No relief contour. There is an reserved line incised above foot. Foot is black on the top and side but the underneath is reserved and flat.
|
|
| 30.11.3
|
Central knob painted red. Paint red for black. On upper surface, band of lanceolate leaves framed by two thin lines, between two thick painted bands. Underside is reserved.
|
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| 34.10.26
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Female head with low polos over four horizontal plaits with three vertical plaits. Traces of white paint, and of red on hair. Clay brownish-beige.
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| 34.10.6
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Black, partly fired to red, all over inside and out, including base. Base is raised. Foot is a grey colour. Paint is very streaky all over.
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| 34.2.3
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Black, paint carelessly applied, not reaching down to foot. Bands of white, red, white, red, white at bottom of handle, plain red band on body, and on foot, also on lower part of mouth.
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| 37.11.5
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Black gloss covers the entire vessel, except for the underside of the foot. The gloss is not lustrous and on the exterior towards the foot is fired brownish. Inside the bottom of bowl, a brownish band caused by foot of another vase fired within it in the kiln. Inside is stamped design of four palmettes outside two concentric circles with an egg and dot pattern attached to the second one. Red paint is applied on the underside of the foot. It is decorated with a wide black band and a black dot at the centre. Between them, two thin concentric circles of almost invisible thinned glaze.
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| 37.11.6
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Black glaze except resting surface. Red paint applied. Black dot at the centre surrounded by two black concentric bands. Distance 0,4. The external is wider. Stamped inside with four small palmettes set crosswise.
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| 45.10.11
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Offset rim is black inside and out and the handle that originally existed just below rim appears also to have been black. Exterior walls are black as is interior except for the main design which is reserved. This picture is of a youth reclining, seen from behind. Detail is picked out in black paint and the figure is painted inside a circle. On the underside, there was originally a stem which was also black.
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| 45.10.31
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exterior: the surface is decorated with a layer of black paint
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| 45.6.13
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Handles: black on top and reserved underneath. Inside and outside of mouth is black but the top is reserved, with accidental smears of paint. Neck is reserved and there are black tongues on the shoulder. Side A shows 3 mantled onlookers separated by objects like long leaves tapering downwards. Two are facing left and one is facing right. On side B is a runner holding an indistinguishable object. Ivy leaf under one handle and leaves in the field. Below picture is black to foot which is reserved on the side and underneath.
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| 47.2.26
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Distinctive ovoid headdress more characteristic of the dea gravida (pregnant goddess). No paint remains, incision for fingers.
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| 47.2.28
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Traces of black paint on chest, left arm and back of head, faint stripe on body.
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| 47.2.31
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Remnants of black paint around eyes, headdress, upper body and arms; red on face.
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| 47.2.5
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Black glaze covers the entire vessel, except for underside of the resting surface. It is not lustrous, of not good quality and on the interior it is mostly fired reddish, as well as on small parts of the exterior. Reddish paint is applied on the underside, which is decorated with a black dot at the centre, surrounded by two concentric thin black band at a distance of ca. 1 cm. VEry close to the external band, a thin band of thinned glaze. The interior of the bidy is has stamped decoration. Four stamped spindly palmettes arround a small circle.
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| 47.2.9
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Black gloss covers the entire body, except for resting surface, and within ridge on underside. Underside is covered with red paint and further decorated on reserved area with dot at the centre, central circle, and two thinner concentric circles. Much of exterior misfired brownish.
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| 47.6.4
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Entirely decorated with matt black paint, turning to brown, except for reserved base.
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| 47.7.1
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Black gloss covering the entire surface except for the underside. On reserved underside, added red paint, a central black dot surrounded by a concentric broad, then thin band.
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| 47.7.2
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Round, flat body with vertical spout at one end with a flared mouth. Single curved handle stretches from the rim of the mouth to the back of the body. All black apart from two designs. One one side is a panther, with detail picked out in black paint and whose face is in an odd perspective. On the other side is a dog, with black and brown paint used for detail. Reserved line runs asround the body below the animals. The base is red and flat.
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| 48.12.2
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Black decoration. Interior: uneven band round rim; ring in base with ill-made join. Exterior: uneven band at rim; beneath it is a wavy line (decoration ceases temporarily above handles); paint thinner in places. Black band where the body tapers to the base, and another band around the foot. Base reserved.
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| 49.1.1
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Interior reserved except for red central interior surrounded by thin red and black bands. The vertical part of the interior of the rim has black and brownish bands. Decoration of thin red and black bands, with dots at edge of mouth and outlined tongues round shoulder. Outside of handle black. The underside of the foot decorated with three concentric black bands and dot at the centre. The ring on the interior and exterior covered with brownish paint. The resting surface has two thin concentric brownish bands. Sloping part of the body two thin brown bands. Above the ridge, brown band and that part covered with brown paint.
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| 49.4.1
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The mouth is black inside and out with a reserved rim. The back of the handle is also black. The neck and underside of the handle are ruddled, as is the shoulder which has black dots and radial-shaped motif. There is a white band at the upper body surface with a yellow meander pattern, between yellow lines. The main design is that of a flying Nike facing right with a mirror in her left hand and a globular object in her right. She wears a kalyptra (head dress) and she is draped. Additionally, thinned glaze and black paint has been used for detail. Below the scene there is a similar meander pattern on a white band. The rest of the vessel is black.
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| 49.8.12
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Mouth and rim all black. Single handle is black on the outside and reserved on the underside. Neck is reserved. Shoulder has a row of rays and a row of lotus flowers. Body design is 10 rows of debased chequerboard. There are irregular drops of paint on the back. The decorated part of the body is followed by a narrow black band followed by black stem. The foot is black on the top but reserved on the side. Base is reserved.
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| 50.12.14
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Black paint faded to red. Interior: fine line on rim, below it one broader band. Exterior: broad horizontal band across the top with series of fine vertical lines at right angles to it. Two fine lines are joined together by fine horizontal lines, creating a square pattern.
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| 50.12.28
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Black paint pattern with fanned arcs and chevrons.
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| 50.12.31
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Clay pinkish; paint red for black, interior reserved with part of one red band, exterior: parallel fish bone lines, and two apsidal lines,
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| 50.12.35
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paint brownish black; interior reserved with one black band 0.8 cm wide, exterior black band 1.5 cm wide painted over a groove, below it, painted in black.
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| 50.12.44
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The interior is reserved other than a single band of paint. The exterior is reserved with a red pattern made up of irregular lines.
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| 50.12.46
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Interior undecorated. Exterior, two small circles painted, one inside the other on the upper edge, around these a circle of fine dots. The paint has faded to orange.
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| 50.4.12
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Silvery black gloss except underside, which is reserved, reddened, and decorated with a central black dot and two concentric black bands. The external is wider and painted without precision. Red paint of the resting surface slightly flaked off at small parts.
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| 50.4.8
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Black gloss on mouth, neck, shoulder, and handle (dipped). On shoulder, three rows of white spots: seven (tear-shaped) above, five (larger tear-shaped) in the middle, and below, five groups of three dots in a triangular pattern. The body is decorated with a diagonal net pattern of thin black lines with thin white spots inside the lozenges. Thick irregular black band at bottom of body, reserved stem, black foot, including resting surface, but otherwise reserved underside, with a spiral pattern etched at the centre. White paint dots added and traces of red wash over body.
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| 51.7.9
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Tapering body to wide splayed foot. Traces of black paint. Many bands of brown/yellow around body. Vine pattern (?) or leaves on stem (?) still surviving around middle in dark brown. Dark brown band just above the base.
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| 52.3.3
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Inside is black on neck and rim but reserved inside the body apart from numerous black splatters of paint. Diamond pattern with dots on rim, rays and palmettes on rim above each handle. Side has dots and two rows of wavy lines. Handles are black as is the neck between them. Neck design same as on rim. Row of tongues on shoulder. Scene similar on both sides. Each side is flanked by a vertical line of hearts/ivy leaves with dots between lines. Side A: three youths, robed, one with a staff, two facing left and one facing right. Side B: three youths, robed, around a stele (?), two facing left and one facing right. Figures are ruddled and detail picked out in black. Below is a band of ivy leaves. Foot is black and ridged. Base is reserved and conical inside foot.
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| 54.2.2
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Reserved except for thin red band at rim, thick red band at neck, and medium red band at shoulder with thin streaky bands below it, level to the bottom of the handle. In between the bands there seems to be a pale white wash (?). The external face of the handle is also painted red with a small tail-like extension of paint.
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| 56.8.1
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Reserved inside. Paint on outside is black, lustreless and largely worn towards base of body. Two handles painted black on top but reserved underneath. In handle zone, within a panel framed with bands of dots is an ivy spray (on both sides). Lower band of dots carried round below handles. Bottom of object is black until reserved band just above foot. Flaring foot, black on top and reserved and conical underneath.
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| 56.8.4
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Black inside and out except for an egg-and-dot band framed by two black lines at the front of the base of the neck, the figural design, and the reserved underside. Body: A satyr seated between two similar palmettes (the left one larger; each is comprised of a flower in the middle of two volutes framed by a short half-heart-shaped pattern on either side). The satyr is seated in 3/4-view to the left on a rocky mass that is spotted (perhaps it is covered with an animal skin). He looks profile to the left and he wears a taenia or band on his head, as well as a long, beaded necklace over his left shoulder and across his chest. He holds a phiale (its rim is marked with yellowish dots) in his left hand and a fillet in his right hand. The fillet is purple. The taenia, necklace, and rim of the phiale are coloured white with yellow wash. On the back a drip of (probably accidental) white paint.
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| 56.8.8
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On the exterior of the rim, S pattern. A fight of three warriors between onlookers; on the left, an onlooker between two runners, on the right, a runner between two onlookers and at the back a floral motif (lotus-palmette cross?): Two semi-spherical palmettes chained in the middle by circular bands, dotted in the centre, and held on a columnar motif with similar (only more conical) palmettes as endings (top and bottom) by black strips. Many of the figures appear to be holding spears (in the case of warriors) or have in front of them the same attribute (long, thin, vertical or diagonal lines). There are variations in the rendering of armour, hairstyles and drapery, mostly executed by incisions.
The scene is framed by bands, top and bottom. Above the top band is a reserved circle, a thin, red, circular band and then the vessel is black up to the base where there is another red circular band. The interior of the footring is black. The broad, reserved base has a black circle inside a black band in the centre. Additionally, there are six dots (four are bigger) placed randomly on the reserved area of the bottom.
Interior: The surface is black from the rim to the tondo, except for two, red, concentric bands approximately 1 cm within the carination, and a similar red band framing the tondo. Inside the tondo is a representaion of a cock in profile to the right with a flower-bud emerging in the background. Red paint: tail, wings. Moreover, incised over the red ring surrounding the tondo there is a mercantile graffito (?).
The handles are black but reserved within.
The underside of the foot decorated with black dot at the centre, surrounded by black band and 6 black dots around it, uncanonically placed
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| 57.3.1
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Clay pale, paint greyish brown: large closed vessel, interior unpainted. Exterior broad black line, and part of a circular spiral in black. One small faded black line in middle of fragment, a section of a semi circle to the left of the broad black line.
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| 57.3.4
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Decorated with white slip reddish-brown paint. Row of dots between narrow and broad horizontal band. Most of the fragment is taken up with three radiating lines, crossed with small bars. Below this is a broad curved line. The underside is reserved and the clay is ribbed.
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| 57.3.5
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Red paint; Murex pattern?
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| 57.7.9
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High, curved handle attached to triangular mouth. Traces of black paint. Many bands of brown/yellow around body. Vine pattern (?) or leaves on stem (?) still surviving around middle in dark brown. Dark brown band just above the base.
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| 58.2.1
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Side of rim painted brownish black, two bands on neck. Three bands of thin, brownish paint on upper half of body. Bottom reserved.
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| 58.2.2
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Brown paint on lip, one line halfway down neck, two round edge of shoulder. Incised lines around body. Small depression in centre of base. Small metallic particles in clay.
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| 61.6.1.13
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Paint dark grey. Reserved band 0.5 cm broad; below it linear spinal pattern, reserved gainst the dark greyish ground.
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| 61.6.3
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Glazed black on the interior, except at the bottom of the bowl. Exterior glazed black (dipped) on the rim, handles, except near attachment (but a small line emerges to the front of the bowl, from either handle). The floral frieze consists of: palmette, upright, flanked by curling tendrils from which hang smaller palmettes (side A), a simple enclosed palmette (under missing handle); two upright palmettes with curling tendrils, although the palmette on the right has two curling tendrils at the left and none at the right (side B); simple palmette under handle. Beneath the floral frieze is a thin black band above a band of black dots. Black glaze also on the lower part of the body, stem, and top of foot, and interior surface of the foot (with extra paint spilling over onto the resting surface and the underside).
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| 71.6.3
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Inside is streaky black showing red through. Handles and outside are also black. Side A: A woman standing with her back to a chair, holding out a fillet in her right hand. Side B: A youth in himation holding two spears (?) of which heads are not visible, being too tall for space avaliable. The detail on both figures is picked out in black paint. Two ruddled bands run around base of pot below figures. Foot is black on top and side and inside foot ring; resting surface and underside reserved. Base is ruddled and has three black bands and a central black dot.
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| 73.10.1
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The top of the knob is covered with brown paint, apart from the central part.The knob is decorated with three parallel brown bands ; reserved at join with lid; 9 rays radiating from the edge of the knob.Two thin concentric brown lines, red-brownish bands framing a band of double dots. Black line at the edge of the lid fired brown. The edge of the rim is painted black, fired to brown. The underside is reserved.
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| 83.11.2
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Part of body of horse, with one leg and part of tail. Traces of white and red paint.
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| 83.11.4
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Part of leg of horse. Traces of white paint.
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| 83.9.14
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the surface is decorated with a layer of black and opaque paint, in the middle of the dish there is a small hollow
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| 83.9.16.b
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the surface is decorated with a layer of black and opaque paint
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| E.23.2
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Funerary stele with vulture wings surrounding the solar disk, common during the time period. Below the wings is the text of the stele, surviving intact. Two men are depicted adoring the god Re-Horakhty, whose presence is indicated not only by the uraeus and sun disk but also his name inscribed in the text. It has been suggested that the dress of the figures indicates that they are Nubians; this is confirmed by the oddity of their personal names. The sky is depicted above the winged disk, each end being supported by the symbol of the west (on the left, only the top of the feather survives) and the east (on the right, more or less complete). A signature, possibly belonging to Flinders Petrie has been found above the head of the right hand figure.
There is only one viable interpretation possible, when one combines the depictions with the details found within the text. The stele depicts the man Serep and his son Tkr-Irt-Hrw, not as has been assumed Serep with his Ka. A personal Ka has no need of the title m33 khrw, which is a title of the deceased, thus two deceased are depicted. There is no question that Serep is a man as he is depicted in male dress and has the male symbol after his name.
There is enough evidence to show that the stele was once painted. Red pigment on the sun disk of the god is the most apparent, though a similar (if not the same) is found in several of the hieroglyphics and on the deceased as well as faint traces on the column to the right. A yellow stain remains in the first two columns, which could be remains of the paint used to fill in the columns. The combination of colours matches well with the red pigment found in the glyphs.
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| E.62.60
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Undulating lines around the mouth and in three concentric semi-circular shapes, then three groups of four solid triangles; all in a purple/brown paint.
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| REDMG:1935.87.23
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Handles all black. Mouth has wide rim, inside is all black but streaky. Reserved band under rim. Design is similar both sides and shows a woman's head facing left with ornate head dress and jewellry on in white and yellow added paint. Under handles on body is a red block between white lines with dots down originally. Stem is long and has a moulded band around centre. Foot has three steps all black (faded to red). Base is also stepped inside but reserved.
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| REDMG:1951.153.1
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Decorated with geometric designs in medium brown paint: stripes in two directions on the head; two horizontal bands around neck, above vertical bands; scalloped designs on chest of bird; wings delineated with two bands on either side, filled with s-pattern; horizontal bands on neck; bands on either side of an x behind the handle; top of tail filled with tall zigzags. Reddened inside mouth and around the neck
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| REDMG:1953.25.103
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No paint remains.
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| REDMG:1953.25.55
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Small jug with wide flaring mouth and rim which is reserved inside apart from a long smear of paint. Handle is made of two sections, not quite meeting at the top and extending along the rim. Straight neck with slight ridge at juncture with body. Thin groove at base around foot. Base is flat and black.
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| REDMG:1953.25.96
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Head of a female with hair tied up into a bundle at the back of her head and appearing to wear a head dress of some sort. Traces of red paint on hair at back of head and on head dress. Long, smooth neck and face with flesh coloured clay.
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| REDMG:1958.39.1
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Headdress with decorative segmented fillets reaching to shoulders. Hand-made thick club-like arms with individual fingers, right hand lost, probably held offering. Area object covered suggests it was larger than a tambourine. Traces of red paint, especially on right lower body and one breast painted red.
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| REDMG:1964.1639.1
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Circular handle attached to a rim - possibly of a cup or skyphos. Traces of black/brown paint suggest the object may have been glazed (?)
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| REDMG:1964.1698.1
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Wide mouth with curved rim and a curved rim around neck. Curved handle joins top of neck and shoulder. Globular body. Small foot with raised base underneath. Unsure of colour - possibly was glazed but reserved (?). Dark colour present now appears to be deposits rather than paint.
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| TEMP.2002.9.3
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Inner surface is reserved. Outer surface has part of a man in robes holding a lyre in his left hand. Detail is in black paint.
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| TEMP.2003.7.1
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The edge of the rim is painted with a small line of brown, which is fairly worn. Interior has a brown coat over white paint. The brown starts 0.2 below the rim. There is also a small red splotch near the edge of this side. Exterior is white.
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| TEMP.2003.7.31
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Small figurine, possibly an animal, because the nose/mouth is pointed like a snout. Has two small holes for the eyes, and three holes above them. The neck is thinner than the head, and the arms are clearly defined, although are broken. The figure is of a red colour, with remants of black paint on the head and lower back.
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| TEMP.2003.7.32
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Small figurine, possibly an animal. Pinkish colour, with remnants of black paint on the back, on the left arm and on the main body. Appears to be scratching head with the right arm, and the feet are distinguishable from the legs because they are at an angle.
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| TEMP.2003.7.64
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Fragment from the neck of a closed shape, with a flat, thick rim (1.4cm). Flat, top of rim seems to have been painted white. The side of the rim has a pattern around it. The pattern has a thin, black line parting small 'U' shapes. The top half of the pattern has 'U' shapes in it, which have tiny, verticle, red lines inside them. The bottom half is the same, however the 'U' shapes are up-side-down. The neck and small piece of the body, on the fragment, is glazed black and appears to have once had white paint on it. The fragment has a small piece of the pot's body on either side of the neck. One of the sides of the fragment of the body has the top of two figures on it. The right hand side figure is the top of a head but its features are unclear. The left-hand-side figure appears to be a women, with her left arm raised. The underside of fragment is terracotta colour. The inside of rim is glazed black and the inside of the pot appears to have been left terracotta.
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| TEMP.2003.7.8
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Rim of a plate. Exterior, plate body plain, underside of rim black. Interior black over brown paint worn through in places. The rim itself is serated on this side.
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| TEMP.2007.2.58
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Off-white paint with some chips
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| TEMP.2007.2.62
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Black glaze on rim; either worn black glaze or brown paint on body with some chipping
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