| 2007.4.73
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Black lines on outer surface, very worn and difficult to tell what original design was
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| 2007.9.1.56
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Displays a very thin human figure in a walking pose, facing right. There is a large, unidentifiable shape behind the figure, but this may be due to a fault with the plaster cast or the original gem.
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| 22.3.35
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Upper part possesses a unique pattern that could be intended to mimic a type of plant, consisting of a single white dot in the centre with six triangular shapes surrounding it, each with a white spot upon them, and a white line on each of their ends; both above and below this pattern are two straight lines, brown of colour. At the bottom is another unique pattern consisting of three white dots above what could be a type of pot drawing, with several straight lines upon it. Both these unique decorations are likely part of a larger pattern upon the original artefact's exterior.
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| 22.3.37
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Around the middle there is a painting of what appears to be a sort of vine, with numerous flowers pods protruding out of it, and several other flowers that have blossomed. At the bottom there is a small part of what appears to be from a larger pattern upon the original artefact. The exterior of object in which the paintings are upon is itself painted black.
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| 22.3.38
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On the outside are several patterns, likely painted on as part of a larger decoration upon the original artefact as a complete object. The inside has a single large, slightly curved light orange line; again, potentially part of a larger pattern on the interior of the artefact.
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| 29.6.1
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Plaster cast of the Ludovisi Throne (Original in Museo Nazionale Romano di Palazzo Altemps). Central panel: Aphrodite (Roman Venus) rises from the sea assisted by two Horae (Seasons) on the shore who clothe the lower part of her body.The scene probably represents the birth of the goddess. Alternative interpretations: Persephones return from the Hades or Hera emerging from the Kanathos waters (Hera Parthenos). Left panel: Seated naked female figure (hetaira?)wearing a sakkos (hairnet) plays the double aulos. Right panel: Seated crouched veiled woman with a pyxis in her left hand in front of an incense burner (thymiaterion)
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| 50.12.38
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Exterior: black faded to orange; there is a stripe around rim (?) with a part of a painted motive showing with small blobs of original black remaining. Interior: black to orange streaks
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| 73.9.30
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Several lines on the outside forming a pattern, likely part of a clearer image on the original object it comes from.
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| E.23.60
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The beads are varying in colour but the prominant colour is green. The string the beads are on is actually too long for the beads so it likely not the original string suggesting that these beads were probably not all worn together.
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| E.62.31
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Large red vase. Rounded body with rounded base; no neck, narrow lip and flat rim. Large lugs, on either side, are perforated to take thread. There are splashes of red all over the pot, it is unclear if this is part of the original decoration or somehow added later, since the splashes have no discernable pattern.
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| E.62.49
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Painted with scenes and inscriptions. Vivid yellow pigment used for background. Female figure painted in red outline. Inscriptions use blue, red and green pigments. Figure is "singer of Amun". The right hand side appears to have a wooden peg going through this part of the coofin, like this was part construction of the original coffin.
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| E.62.51
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Head of a cobra, dark wood, some traces of dark red and black pigments. Very little decoration remains, only small remnants of the original pigment.
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| REDMG:1953.25.81
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The piece consists of half of a foot, which is broken about halfway down its length. The half remaining includes all five toes, with slightly curling little toes and a rather stumpy big toe. The foot sits upon a thick sandal. Under this is a chunk of unworked marble, presumably part of the original base of the statue, which takes up about the same amount of mass as the carved foot does. This underside is rough and worn. The break halfway through the foot in fairly clean, leaving a rough, but planar surface.
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| REDMG:1964.1684.1
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Three pieces belonging to same object but not adjoinng. All reserved. One piece has a small pinched handle attached. All pieces have a rim, suggesting the original object had a lid.
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| TEMP.2003.7.2
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Interior white with a pattern of brown waves set in between sets of two thin yellow lines which begin .2 below the rim. There is a small bit of brown that seems to be part of some other pattern at the bottom of the fragment. Interior is brown/black with remnants of a white fan or floral pattern, which is heavily worn. A good deal of the interior is worn down to the original terracotta.
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| TEMP.2003.7.74
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Inside is dark grey coloured, whereas outside is more light orange coloured. Upper part of outside appears to have a black line across the top that has been worn away over time. The middle section has a thicker brown line which likely went around the entirety of the original artefact. Lower part of object is dark grey, again likely part of a larger coloured section of the origional, complete object.
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