| 14.9.49
|
Brick red paint on pinkish-buff clay. On the exterior surface is a band around the rim and one just below, but broader. Design is a little unclear but perhaps shows the heads and shoulders of two men (perhaps in a chariot ?) wearing clothing patterned with dots. On the underside is a red band around rim leaving the rest reserved.
|
|
| 2003.8.28
|
Picture of two black men in the desert.
|
|
| 2004.11.2
|
Picture of river with reeds on both sides. Two men in small boat on river.
|
|
| 2007.10.2.109
|
2 male figures and a horse. The men are shaking hands and both carry staffs.
|
|
| 2007.10.2.113
|
Two men talking to a warrior. There is a pot on the floor and one of the men is bending over to put something into the pot.
|
|
| 2007.10.2.124
|
Battle scene: three men protecting the body of a dead companion from the enemies. Probably the representation of a scene from the Iliad.
|
|
| 2007.10.2.266
|
Three men, semi-naked carrying shields, piled on and alongside each other, possibly the result of a battle.
|
|
| 2007.10.2.303
|
Possible battle scene, containing five horses and two men, figure to the far left(only wearing a cloak) is on horse back and figure to the right is falling from a chariot (naked), pot at the bottom with contents spilling out, possible bird to its left
|
|
| 2007.10.2.331
|
Two male figures fighting over a woman who has fallen in-between them. One has a dagger, the other could possibly be protecting her. Both men are wearing helmets and armour. There are vases and decoration in the background.
|
|
| 2007.9.1.8
|
Displaying three men in armour on horses, the one in the foreground with a shield, all facing left.
|
|
| 2007.9.3.17
|
Displays two men talking closely.
|
|
| 2007.9.3.31
|
Two naked men, possibly wrestling. The figure on the left is wearing a helmet.
|
|
| 2007.9.3.91
|
Two male heads in profile facing left. The male in the foreground is a mature man while the male behind him looks to be younger. Both men are beardless.
|
|
| 2008.2.1.49
|
Clothed woman walking amoung naked men, some of whom are bending over either to pick up or put down flowers behind her, and one of which stands in front of her handing her flowers. Tree in the background.
|
|
| 2008.2.1.95
|
An active scene with at least 9 discernible male figures. There are two figures on a raised platform on the far left, one standing wearing armour and the other seated wearing robes. In front of them is a gathering of men, some wearing armour, some only wearing the lower half of their armour, and one, possibly two, who is naked carrying a shield. There appears to be a robed shorter figure among them, possibly a child or adolescent. In the background the outline of a columned building can be seen.
|
|
| 2009.10.1.13
|
Image of five men riding horses from the right side.
Cast Number - 960
|
|
| 2009.10.2.17
|
A goat suckling a child (zeus) being watched over by a woman seated and wearing a crown and two large men in capes and hats, holding rocks over the the child.
Number 17.
|
|
| 2009.10.2.335
|
A scene showing two men standing either side of a jug.
|
|
| 2009.10.2.44
|
A large cast with a depiction of the zodiac signs as a border. Four men are pictured, on the far left a man with winged shoes and hat (Hermes), with a cockerel standing next to him, bearded man on throne(Zeus) who is standing on Poseidon, on the right another man with a helmet and sheild (Ares).
Number 44.
|
|
| 2009.8.213
|
Profiles of three men, two looking right overlapping each other, one looking left. Their hair is curly and on the left side behind the heads is a vessel. Cast number: 4
|
|
| 2009.8.229
|
Profiles of two young men, one looking right, the other looking left. There are inscriptions on the top and on the bottom. Cast number: 20
|
|
| 2009.8.271
|
Two naked men on the left and on the right side, only wearing a cloak on their shoulders, hanging up a garland. In the middle, a man with a beard and fully dressed, holding something in his hand. Cast number: 2
|
|
| 2009.8.89
|
A scene of a feast. Women and men are dancing and playing instruments. A vase on a pole. Cast number: 33
|
|
| 2009.9.115
|
Two naked winged men. One is standing next to the other, the other is sitting down. Cast number: 48
|
|
| 2009.9.188
|
A hunting scene. Three men killing a boar with spears. On each side are two trees. Maybe a scene from the Meleager myth. Cast number: 23
|
|
| 2009.9.189
|
A naked young men wearing a cloak, killing a boar with a spear. Meleager killing the Calydonian boar. Cast number: 24
|
|
| 2009.9.202
|
Three men fighting. The two men on the left and on the right are bigger than the one in the middle. They seem to hold a vessel and are naked except for their cloaks around their shoulders. Cast number: 37
|
|
| 2009.9.226
|
Profiles of two men with curly hair and a beard, hooded head, looking left. Cast number: 66
|
|
| 22.3.24
|
Clay greyish. Inside, with reserved circle, woman running with tray in one hand, uncertain object in other. Rocky ground shown by black spots on reserved surface. Around the inside rim of the kylix are heart and flower shape patterns attached to long flowing lines.Added white, sometimes touched with yellow. On deep rim, ivy beneath. Outside A: two men facing each other holding different uncetain objects there are three circular objects around them, two with a dot in the middle and the other with a cross. Three palmette patterns surround each of the men, but as some of the kylix is missing these patterns are not all complete, the patterns also change slightly when under the handle. The lower quarter of presumably similar picture of the men can also be seen.
|
|
| 26.12.12
|
Inside is black with reserved line at lip. The rim isblack on the outside. The object is reserved apart from the design of two boxers between two seated men who are facing them. On each side of the scene are the tips of the wings of sphinxes, who were presumably facing the handles. Red is used for hair and folds in garments. Detail is incised.
|
|
| 29.11.1
|
Mouth black inside and out with a reserved rim. Neck and underside of single curved handle are reserved. Shoulder has bars at base of neck with a ring of lotus buds on edge - circular mistake between rows. Thin black band around edge of shoulder. Body design has two men each leading a horse to right. Both wear cloaks, first helmet, second petasos. Red for beards, manes, tails and peytrels. White on helmet and design on horses, but badly faded. Black band followed by reserved band, then black stem. Disk foot is black on top but reserved on the edge with a flat, reserved base with a central circular concave section.
|
|
| 34.8.8
|
Mouth red on inside and outside, with lip reserved. Single handle which is red on top and reserved underneath, as is neck. Shoulder design is a cockrel with red on is facing right between stemmed ivy leaves. Black band around shoulder, faded to red. Body design is, from left to right, a standing man facing right, a seated man facing right, a standing man with robes draped over shoulder, facing left, a man standing facing left. All men have spears. Men are balck faded to red but eith red headbands. Detail is incised. Irregular black band then balck stem. Foot is balck on top and reserved on side and base which has central concave circle.
|
|
| 45.8.1
|
The rim (interior) bears two, concentric circles, the first at the edge and the second at the curve between the neck and the body, where traces of white colour can be found. The neck of the vessel is ornamented with a continuous floral motif (branch bearing two long leafs; laurels?) that covers the whole of the surface. A: Scene of a symposium of four, reclining, male figures; 2 men and 2 youths (in turns), in pairs looking at one another. All of them wear their himatia, loose around their waists, a fact that leaves the upper part of their bodies naked, and are crowned with identical three-pointed diadems, made of added, yellowish and white colour. They also have identical hairstyles. The youth on the left side makes a gesture, pointing left with his right hand, but facing the man on his right who touches his chest with his right hand. The third person looks as if holding a white thread with his right-hand fingers, while the man on his right is trying to put a white, spotted garland on the third figure with his right hand. They all recline on a horizontal sort of bed, supported by three feet, of equal distance between them, but of unequal width. However, the lower parts of the three feet are similar; rectangular and vertical to the stem. Under this construction, in the surface between the two gaps that are left between the feet of the bed, there are two tables, that carry food(?) (fruit and bread ?), painted with added white colour. Both of the tables bear two, broad, black, bands around their edges, the left ones being larger than the right ones. As regards the endings of the tables' feet, they give the impression of a vague rendering of animal paws.
B: A youth in the centre of the scene looks at his right, while in either of his sides, another youth is looking at him. All of them are fully-clad with himatia. The left one is holding a strigil (stleggis) with his right hand, while the one at the right side of the scene makes a gesture with his feast.
The spring of the handles bears part of a circle (it stops, leaving the surface between the beginning of the two handles undecorated), with small, semi-cercular patterns. Beneath each handle there is a large, complex palmette. A band with maeander-shaped patterns runs through the vessel under the main scenes. The base is in the form of a disk, with a high foot, separated from the disk-shaped surface by a carved, reserved circle, as well as an also circle at the lowest end of the base's foot.
|
|
| 51.4.1
|
The top surface of the rim is reserved (but glazed), however, the side one bears a black meander pattern. Neck: at the left side there is the front part of a horse (head and two feet) and the right leg (thigh to toe) of the horse-rider, with incisions for detail (denoting also the bridle) and added white. At the other end there are two men, one behind the other. The fragment's termination is at the level of their knees. The first one (right end) has extended his arms, as if being a charioteer. Besides, the back part of the chariot can be seen over his white chiton. The stephane on his hair is executed with red. The black, male figure at the same level behind him makes a gesture as if holding something (invisible). He is wearing a short chiton and he is probably on the chariot too. Interior: There is a red, thin band at the rim and the rest of the surface is black.
|
|
| E.23.2
|
Funerary stele with vulture wings surrounding the solar disk, common during the time period. Below the wings is the text of the stele, surviving intact. Two men are depicted adoring the god Re-Horakhty, whose presence is indicated not only by the uraeus and sun disk but also his name inscribed in the text. It has been suggested that the dress of the figures indicates that they are Nubians; this is confirmed by the oddity of their personal names. The sky is depicted above the winged disk, each end being supported by the symbol of the west (on the left, only the top of the feather survives) and the east (on the right, more or less complete). A signature, possibly belonging to Flinders Petrie has been found above the head of the right hand figure.
There is only one viable interpretation possible, when one combines the depictions with the details found within the text. The stele depicts the man Serep and his son Tkr-Irt-Hrw, not as has been assumed Serep with his Ka. A personal Ka has no need of the title m33 khrw, which is a title of the deceased, thus two deceased are depicted. There is no question that Serep is a man as he is depicted in male dress and has the male symbol after his name.
There is enough evidence to show that the stele was once painted. Red pigment on the sun disk of the god is the most apparent, though a similar (if not the same) is found in several of the hieroglyphics and on the deceased as well as faint traces on the column to the right. A yellow stain remains in the first two columns, which could be remains of the paint used to fill in the columns. The combination of colours matches well with the red pigment found in the glyphs.
|
|