| 14.9.49
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Brick red paint on pinkish-buff clay. On the exterior surface is a band around the rim and one just below, but broader. Design is a little unclear but perhaps shows the heads and shoulders of two men (perhaps in a chariot ?) wearing clothing patterned with dots. On the underside is a red band around rim leaving the rest reserved.
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| 14.9.52
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Black paint has faded to brownish-orange. Between two pairs of painted bands on the lower-side of the top band and the upper-side of the lower band there is a three tiered fish-scale design. In between there are painted circles that are surrounded with little dots. A band of faded black paint frames the place where the handle might have been.
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| 2007.10.2.23
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Athletic man leaning back a little holding a spear
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| 2007.4.223
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One corner painted completely red, the other two covered with dark red diagonal lines. In the centre of the shard a square has been painted, broken up into a lot more little squares
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| 2009.8.199
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Athena Parthenos with a shield and a spear in one hand and a little Nike in the other. Resembling the statue made by Phidias. Cast number: 53
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| 2009.8.200
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Athena Parthenos holding a shield and a spear in one hand, in the other a little Nike. Resembling the statue made by Phidias. Cast number: 54
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| 2009.9.194
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A naked man wearing a cloak around his shoulders, standing next to a horse which has a little figure on his head. Cast number: 29
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| 2009.9.70
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A herme with the torso of a satyr with an erect penis, an ecstatically dancing half naked woman holding a puppet or little man playing the flute in a hand. On her right side a small man sitting in some kind of basket playing another musical instrument. Cast number: 3
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| 26.2.18
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In the top zone, oblique palmette, wild goat to right with head turned back (only tip of beard preserved), added red on black and haunch, reserved line on belly, in field dot rosette, crossed dumb-bell ornament, dotted double spiral; black zone with bands white-red-white superimposed; rays (tip of one preserved). Inside black with a reserved band a little below rim and two groups of bands, white-red-white, roughly on a level with the top and bottom of the broad black band outside.
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| 35.4.6
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Interior: four stamped palmettes, with an egg at the base of each, linked by a small incised circle. Reserved line round body a little way above foot. Whole of foot-ring black. Base reserved and ruddled, with dot and black band. Inside is black as are both circular, horizontal handles.
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| 47.2.33
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Little indication of clothing or its design, which would have been painted. Faint traces of red on face, neck and both sides of the tambourine.
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| 50.12.9
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Fragment of kylix (? very little curvature). Pale buff clay. Interior polished. Exterior three shells.
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| E.23.53
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Originally green in colour although little remains. The shabti is decorated in black pigment the details being a hieroglyph inscription up/down the legs, a crook, a basket (both denoting work and being'held' by the figure) and some kind of head decoration.
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| E.62.51
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Head of a cobra, dark wood, some traces of dark red and black pigments. Very little decoration remains, only small remnants of the original pigment.
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| E.63.16
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Small blue scarab on a flat base. The beetle has a line running down its thorax and little detail around the 'mouth'. The base is decorated with an ankh and two other symetrical unidentified symbols.
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| L.2011.1.42
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Decorative pattern in low-relief on the edge of the body (floral, with two six-foils alternated to little plaints, and another one inscribed in a square); decoration in low-relief on the central discus.
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| L.2016.3.31
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Few traces of different coloured paints. Few, small black or dark brown flecks allover the surface, a little more at the saddle, belly and mane. There are very few traces of green glaze at the top of the nose and front part of belly and saddle (and white as well as red-brownish flecks at the rare part) on the right.
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| REDMG:1953.25.81
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The piece consists of half of a foot, which is broken about halfway down its length. The half remaining includes all five toes, with slightly curling little toes and a rather stumpy big toe. The foot sits upon a thick sandal. Under this is a chunk of unworked marble, presumably part of the original base of the statue, which takes up about the same amount of mass as the carved foot does. This underside is rough and worn. The break halfway through the foot in fairly clean, leaving a rough, but planar surface.
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| TEMP.2003.6.24
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Fragment of pot, including slight buldge where handle begins. Exterior, black lines on white background. At the right edge of the top there is a triangluar bit of black that looks like it originally belonged to a square surrounded on both verticle sides by twin sets of thin brown verticle lines. Less than 1 from the top there are two brown lines that follow the curve of the jug horizontally spaced .3 apart. Under these lines on the left is a large2.5 hieght figure eight pattern made up of three lines that swirl around to create the eight, with little v's on the outside of the eight pointed away from where the figure eight lines cross. On the right side, two bworn/black lines curve around where the handle would have begun. The handle section is all black, although chipped. Under the figure eight is a .6 thick black lines running horizontally around the pot, broken by a thin pink line a little below the middle. there are two other thin pink lines equidistant from this first one, one above and one below it by about .4, the top pink line being right above the top of the black line. Underneith the bottom pink line is a segment of a different pattern. Interior is black over pink and white, which is worn away enough in many parts to see the pink and white colors. two thin and faded white lines form bands near the top.
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| TEMP.2003.7.36
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Fragment, clay beige colour. Side b has a small area of black at the bottom. Side a has a small area of black at the top, and a little at the bottom, with an area of red int the middle.
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