| 2007.10.2.254
|
gh relief. He has a philosopher's beard and curly hair. His high forehead might → indicate ← that he is balding. Clothing is evident draped over his left shoulder.
|
|
| 2007.10.2.311
|
head are two shapes which possibly represent boats or ships. These shapes might → indicate ← that the portion of the scene below the female figure is in fact a rive |
|
| 27.4.11
|
r 'Mistress of animals'?) between two lions (alternate stripes of white and red → indicate ← the ribs and hindquarters of the lions). Beneath each handle stands a w |
|
| 47.2.21
|
the bell; otherwise reserved. Striations on the inside and outside of the bell → indicate ← that it was formed on a wheel, although the knob and striking ball were |
|
| 50.4.4
|
is painted white and hair has dulled to brown. Holes at the ends of the fringe → indicate ← that some added decoration may have been lost.
|
|
| E.23.44
|
tween two puffed out cheeks. The mouth is thin lipped and small verticle lines → indicate ← a beard.
|
|
| E.65.8
|
leather cord from toe to sides (to enable wear). Curved lines on the underside → indicate ← which sandle was left/right.
|
|
| REDMG:1935.87.25
|
ontally across side B; further incised lines around the upper body of the woman → indicate ← that these might be an artistÂ’s guidelines.
|
|
| REDMG:1947.13.1
|
ox. A (heart shaped) ivy leaf hangs in the field above him.
White dotted lines → indicate ← the groundline between all figures.
Details on the shoulder rays and, o |
|
| REDMG:1953.25.23
|
s, as well as the forepart of the bull, and his tail, while incision is used to → indicate ← the drapery, quiver, and musculature of the hero, as well as his head c |
|
| REDMG:1964.1630
|
Traces of glaze → indicate ← that the entire surface was glazed black, but fired red in places, espe |
|
| REDMG:2004.95.1
|
ch he lays across his torso, which is not incised save for two small circles to → indicate ← his nipples.
|
|