| 14.9.28
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Fragment of coarse Neolithic pottery, pink with grey core, traces of decoration in red on outside and reserved inside.
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| 14.9.7
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Core is grey and the surface is red. Both sides have a linear pattern formed into rectangular shapes. The interior surface has lines with adjoined rectangles with lines inside them too. A similar pattern is reflected on the outside but less clear.At one end remains part of a bored hole, perhaps for suspension.
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| 2003.8.66
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Rim of an open vessel, two grooves and rounded, overlapping body. Entire artefact is overall the same shade of grey.
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| 2006.12.15
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One half of outside is grey lines on a white surface, in an unidentifiable pattern; Other half is hatched grey lines on white paint with brown spots in centre and red band just visible at very edge of fragment; all decoration appear faded
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| 2006.12.22
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Unpainted areas crossed by thick bands of grey-blue, with thinner grey lines on top. Looks faded all over
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| 2006.12.37
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Diamond pattern with chequers of black/brown, grey and orange above two dark coloured bands
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| 2007.4.11
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Darker grey painted striped, in a curved fashion.
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| 2007.4.5
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Painted lines, some a reddish-brown colour while others are grey. Lines are quite distinguishable even though fragment is worn.
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| 2008.7.111
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Exterior: dark grey glaze.
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| 2008.7.69
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Exterior: 10 narrowly-spaced parallel horizontal lines overpainted in brown. below this 9 small circular grey dots in a horizontal band with a zig-zag pattern below in brown.
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| 2008.7.81
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Interior: Reddish-brown wash, grey parallel horizontal stripes overpainted. Exterior: Cream wash, Reddish-brown parallel horizontal stripes of varying thicknesses overpainted, 2 thick and 3 thin towards one end and one thin at other. Line of small dots of same colour parallel to this.
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| 2008.7.82
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Interior: Greyish-black wash. Exterior: Cream wash. Fairly thick parallel horizontal bands towards one end overpainted in Reddish-brown and grey. Below this, the tips of horizontal triangular shapes overpainted in grey forming zig-zag pattern.
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| 2008.7.86
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Interior: cream wash with stripe of grey overpainted towards one end. Exterior: Cream wash with two widely-spaced parallel bands overpainted in greyish-black. Traces of another diagonal line of a similar colour and thickness joining these.
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| 2008.7.88
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Interior: greyish-black wash. Exterior: Traces of cream wash with thin vertical light grey stripes overpainted above and below lip.
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| 23.11.31OO
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Profile figure facing the direction right. does not appear to be a Spartan warrior. possibly a Persian warrior or leader? face. helm and armour slightly visible though. defining feature is a ponytail at the back of his helm. not clear whether he is carrying any weaponry. representation of Persian King Darius or Xerxes from the Persian Wars? lead figures part of a large relief commemorating the war? or just used for ritual purposes with the flogging at the Temple of Artemis Orthia? pretty good condition. lead is an off-colour brown grey, similar to 23.11.31h. bears no similarity to the other lead warriors, as it is a lot thinner than them and lacks a shield.
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| 25.8.7
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Seated woman (or goddess). Hollow. Back flat, slightly tilted. Clay fired to dark grey. White slip all over. Pink on hair, lips, chiton, yellow on cloak.
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| 26.12.34
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Burnt; dull greyish black; where glaze has flaked off, dull grey beneath. Ring handle with triple grooves, groove round lip; flat wide lip. Sharp bend between upper and lower part of body. Large flat resting surface. Underneath reserved.
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| 26.2.72
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Clay the usual grey, but the white ground of the outside is more stony and less milky than normal. Outside, back hair in three tresses and a spiral curl and part of wing of sphinx. Inside streaky black with one band of better preserved black due to disappearance of superimposed red or white.
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| 26.7.9
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Everted rim and flat base. Groove ca 0.3 cm above the base. Grey surface.
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| 29.11.3
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The vessel is grey (burnt), apart from the rim, the back of the handle, the lower body and upper foot surface, which are black. There is added white on the lower neck, shoulder and upper body surface. There is also a row of black dots and pointed tongues on the shoulder, as well as the motif two rows of black dots between dividing lines (three), interrupted at the back side of the vessel. The scene depicted is that of a charioteer (woman) ridding a chariot of four horses (quadriga). There is a woman at the horses' tails, another standing on the far side of the horses and another seated at the right of the scene. Added red has been used for the faces of the women and for the ornament of the horses' harness. Below the scene, there is a broad, black band between carelessly executed lines and the rest of the vessel is black, apart from the side surface of the foot and the resting surface, which are reserved.
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| 34.10.6
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Black, partly fired to red, all over inside and out, including base. Base is raised. Foot is a grey colour. Paint is very streaky all over.
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| 50.12.5
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Part of foot of a closed vase. Coarse clay with tiny black and white inclusions. The interior is pink and fairly rough, the exterior is unglazed and grey. There is a small section of black near the top.
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| 50.4.24
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Moulded design on shoulder of a wreath of leaves and buds, three lines run along the crest of the handle. Dark grey wash.
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| 61.6.1.1
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Buff clay, painted reddish-brown to a depth of 4.0 on the exterior, 2.5 on the interior. Applied grey band over brown on the exterior.
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| 61.6.1.13
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Paint dark grey. Reserved band 0.5 cm broad; below it linear spinal pattern, reserved gainst the dark greyish ground.
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| 61.6.1.4
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Grey clay (burnt?). Surface left very rough all over.
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| 61.6.1.7
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Rough reddish-pink fabric, fired grey on the surface. Parallel ridges in pairs on neck and shoulder.
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| 65.6.1
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The mouth (exterior and interior), larger upper part of the neck and the handle are black (uneven and at most areas reddish brown) apart from the upper surface of the rim, which is red. There is a grey line on the neck and the surface of the shoulder bears decoration of voluted palmettes with narrow divisions and tendrils, widely spread to fill the space. The upper part of the body bears a meander pattern between two pairs of brown lines (above and below). Every fourth meander the pattern is interrupted by a saltive cross with a dot on each one of the triangular surfaces around it. The meander pattern continues as far as the scene below it is depicted. Main scene: A young man, wearing underwear? is seated on his himation, at the left side of a two-stepped tomb or pedimental funerary monument (grave-stele). At the right of the scene, a woman wearing a black and red peplos is bringing offerings. There is a brown line below them and the rest of the vessel is black, with the exception of two exteremely thin lines that are reserved at the joining point of the foot to the body and the side surface of the foot that is red, although the slip has not been evenly applied on the whole of the surface. Lastly, the resting surface is reserved.
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| 67.7.1
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Standing male youth, nude. Grey, apparently from burnt grave; small depression in base. Traces of white slip, colour lost, but probably once red. Standing with arms by sides, elbows pressed back, legs apart, right knee slightly bent. Rectangular base. Paper slip marked 'Thebes' on back.
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| 73.9.32
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Plus symbol and a straight line symbol painted on outside, likely part of a larger pattern on the object it is originally from. On inside are two differing shades, one a dark grey colour, and the other a dark brown, the grey being on the outer side, and the brown on the inner.
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| 91.11.2
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Shape similar to 91.11.1. Top broken off. Slightly concave beneath. Greenish transparent glass, some internal incrustation. Some solidified grey matter inside.
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| E.23.11
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Straight base below a trapezoid shape (slightly better defined than E.23.10). Now grey in colour all over.
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| E.23.13
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Grey stone for use with palette, E.23.12; flat on one side.
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| E.23.21
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Tall, grey jar with grooves incised around neck.
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| E.23.22
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Dark grey wash (?)
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| E.23.4
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Inscribed band marking line of shoulder, three uneven lines around middle possibly created by string. Darker areas on the body denote a possible pattern/picture that has now warn away. Below this are four circular, grey patches with darker centres.
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| E.23.49.4
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Notch at end possibly a handle, serrated on cutting (bottom) edge. Grey in colour, one flat side with the word scraper written on it.
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| E.63.18
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Grey pottery. It is inscribed on two sides. The inscription is dedicated to the 'Good god, lord of both lands, son of the Sun, Aahmes Memphis'.
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| L.2011.1.64
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Pale green, grey, pale blue and dark blue/purple tesserae on a white mortar. Grey and green tesserae are in the background; darker colours (blue/purple) create a circular shape, with lighter colours in the middle (pale blue and green).
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| L.2013.10.1
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Egyptian scarab with illegible inscription or image on the base. Poor condition with grey deposits across the surface. Hole through the centre running length ways.
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| REDMG:1951.133.1
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The surface is treated with a metallic black glaze, applied more casually (streaky) on the lower part of the body; reserved band just above foot and reserved (matte grey) underside except for a black concentric circle. There is a single incised concentric circle in the tondo.
The iridescence and matte grey areas suggest that the lower part of the vase was (inadvertently?) exposed to (too much) heat, either in the factory or afterwards.
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| REDMG:1964.1604.1
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Orange-red slip, grey in places, especially on the interior.
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| REDMG:1964.1638
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Artefact is completely grey in colour with no decoration.
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| TEMP.2003.6.22
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Grey surface. The mouth is flared out. At around the middle of the neck, there is a white band. This pattern continues down the Lacrymaterion every 2 cm. The base is grooved and curves inward until it connects with the stem.
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| TEMP.2003.7.74
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Inside is dark grey coloured, whereas outside is more light orange coloured. Upper part of outside appears to have a black line across the top that has been worn away over time. The middle section has a thicker brown line which likely went around the entirety of the original artefact. Lower part of object is dark grey, again likely part of a larger coloured section of the origional, complete object.
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| TEMP.2007.2.47
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Black glaze, faded to a pale grey
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| TEMP.2014.9.19
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No decoration, no incised lines or stamps. Grey residue on the interior. Section missing from lip. Evidence of use of a pottery wheel in making.
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