| 13.10.14
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Naked standing female in relief. The figure has short hair, fastened up, broad shoulders, arms close to her sides, and legs together.
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| 14.9.123
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Red clay with white slip, orange-red glaze. On shoulder part of harp and two narrow bands. On body broad band 1.3 cm wide, and close beneath it second band 0.5 cm wide.
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| 14.9.24
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Pink with white slip on both sides. Thick wavy stripes on both sides which have points and almost look like very close zigzag.Bands of red are uneven and irregular as they were drawn by hand. One finished edge which is thinner, denoting a rim.
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| 14.9.65
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Thich black band with thinner one very close, then faded line, followed by wide red band, and then black geometric pattern of squared horizontal interlaced S shapes between 2 lines, all on pale buff background. Inside painted black somewhat washily.
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| 2007.4.72
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Close inspection of outer surface shows a very faint parallel lines and zig zag pattern. Paint has presumably almost entirely worn away.
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| 2009.8.210
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Profile of a man with a wreath in his hair. Close to his head a star. Inscription on his left side. Cast number: 1
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| 2009.9.159
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Procession of four naked winged children and one wearing a dress. The one on the left side is trying to sit down on a daybed, the one behind him is carrying a torch, they are both looking over their shoulders to the last two children. The third child is accompanied with a child wearing a dress, they are standing very close together. The last child is carrying a basket with fruits over his head. Cast number: 93
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| 39.9.7
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Underneath, between palmettes; A: Two satyrs around an amphora (oxypythmenos), the left satyr leaning towards and pushing the amphora, while the right satyr, also leaning towards the amphora, rests his hands on his left thigh; B: Two satyrs advancing to the right, the one in the rear holding either a branch with a heart-shaped ending, or a rhyton. The right satyr's stance makes him appear to be running.
The rest of the vessel's body is black. The interior is also black with a reserved disk, 8.5 in diameter, containing a central dot and two concentric circles, the one close to the dot and broader than the other, which is closer to the edge of the reserved disk. Underneath, part of the base's hollow, conical surface of the stem is painted with a broad circular band.
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| 45.10.13
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(i) There is a small part of a motif (partially covered with plaster) that consists of wavy lines. Below it, there are two lines and underneath there are parts of two inverted, palmettes (voluted with petal-shaped divisions) that flank a three-pointed flower with two dots to represent pollen. ii) Between two pairs of lines there is a guilloche (fillets with teardropped terminations interwoven together) with dots among the lines. Below, there is a broad black band, which seems to be interrupted at the right side. (iii) At the left, three parts of vertical, black bands and incisions create part of an object (garment hanging from chair or couch?) In the middle, there is an object- as if it was a grave-stele with a cross-shaped ? ending above which spring two heraldic, white, voluted palmettes (now fadded away), a chiastic motif with dots and horizontal lines on top- but inverted (leg of a bed or couch?). Next to that, there are a figure's part of thighs, knees and calves, close to part of a palmette. (iv) A bearded satyr (seilinos) plays a chorded instrument (lyre), while his himation is hanging in the background. Next to him there is a draped female figure (Demeter?), holding a wreath (black circle) and branches with dots on both sides that surround her. The details on her drapery have been executed with added red and so are those for her head-dress. There are also traces of added white on her neck. On top of the fragment there is part of a motif of tongues contoured with ellipsoid lines and a line that encircles this pattern. v) On the left, there is part of the satyr's lower legs (above the knees towards the feet) and the lower end of his himation. Next to him there is the termination of the female figure's branch, close to a similar inverted grave-stele? and part of an object that resembles an animal paw (lion-shaped foot of chair or couch) . Below these, there is a line on which they seem to step on. Next, a guilloche between two pairs of lines and at the bottom part of a radial-shaped motif with a line that contours it on top. vi) A line and black, teardropped spot. vii) There is a line on whose right top side stands a rectangular object with a rectangular surface in the middle being reserved. Below, part of two lines on top of part of the guilloche. viii) Small part of shoulder and neck: there is a black spot, a thin band, a red line on top of a plastic ring (joining point of neck and shoulder) and part of a tongue-shaped pattern contoured by a line on the shoulder. There is also a part of two lines in the interior. ix) Part of the guilloche, the two lines underneath and the radial-shaped motif at the bottom. x) Tiny bit of the guilloche and the two lines below it and part of the radial-shaped motif. xi) Part of voluted palmette and tongue-shaped motif. xii) Part of the floral motif (of a three-pointed flower)? with lines that form a rhombus with a dot in the middle. xiii) Part of the shoulder and the spring of a handle. On the top there is the tongue-shaped motif, encicled by a line and below it an inverted palmette. The spring of the handle is black and next to it there are short, diagonal incisions. There is also a tiny spot of black colour in the interior. xiv) On the left, part of leaf-shaped (heart-like) motives (part of thyrsos?), close to a band of black colour, of undecipherable shape. Next to that, there is the lower part of a female draped figure, with small crosses on it. At the right side there is black and white colour that forms ovaloid shapes (?). xv) A black band and on the left part of the female drapery.
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| 47.2.5
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Black glaze covers the entire vessel, except for underside of the resting surface. It is not lustrous, of not good quality and on the interior it is mostly fired reddish, as well as on small parts of the exterior. Reddish paint is applied on the underside, which is decorated with a black dot at the centre, surrounded by two concentric thin black band at a distance of ca. 1 cm. VEry close to the external band, a thin band of thinned glaze. The interior of the bidy is has stamped decoration. Four stamped spindly palmettes arround a small circle.
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| 50.10.1
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The interior, from the lip down, is reserved. There is a thick band on the lip and vertical bars on the exterior of the rim, then five bands, evenly spaced, between the rim and where the handles start. Neck (A,B): Panel between two triglyphs, each consisting of three vertical lines, a band of diagonal lines, and another three vertical lines. Panel filled with a long-legged bird facing left (body outlined and filled with vertical lines), filling splotches, and a horizontal triangle, cross-hatched, to the right. Shoulder (A,B): Seven vertical lines, panel, seven vertical lines. The panels are filled with (A) dog (silhouette) runing to right, with filling ornament, (B) same, but the dog chasing a hare. Horizontal bands cover the exterior of both handles, and the handle zones are outlined with a very thick band. Body: three horizontal bands; close zigzag; seven more bands; a large black band covering the lower part of the body and the foot. Resting surface and underside reserved.
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| 84.8.1
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30 fragments, largely side B, small part of side A, handle and rim fragments. Side B three youths. a) The top surface of the rim is black and so is the interior, apart from a reserved area at the end of the rim that bears a thin, black line. The neck is decorated with a vague representation of a brach with laurel leaves. The joining point of neck and body that is preserved bears part of a black, thick line. b) The interior and top surface of the rim is black, with the exception of a reserved band on the end of the rim (interior) that bears a thin, black line. c) The handle is black, except for the surface that would not have been visible if it was attached on the vessel, which is reserved (but glazed). Around the spring of the handle there is a motif between two thin lines that resembles the ionic cyma (egg-and-dot). The rest of the vessel is black, both on the outside and the inside. d) The handle is black, apart from the surface that would not have been visible, where there are two dots. Around the spring of the handle there is part of the ionic-cyma motif. e) There is part of the ionic cyma motif that the handle bears around its spring and the rest of the surface is black (interior and exterior), apart from part of a small chess-shaped motif, framed by a line above and two below. f) It is black apart from an area that bears a small part of the motif that contours the springs of the handles, a small, diagonal, reserved band (exterior) and a reserved band (interior). g) The surface is black (interior and exterior) except for three thin lines that are reserved. h) The interior is black. Exterior: Above a double-meander pattern, placed on a reserved band and between two lines, there are two heraldic lion paws, even though the details have fadded away. i) The interior is black. Exterior: The lower part of the drapery and the foot of a figure, surrounded by black colour. j) Black interior. Exterior: The lower part of a vertical, reserved thin band is standing on a broad, reserved band that bears between two black lines part of a pattern that consists of a meander and a cross on its right. The cross is contoured by a reserved area (around its sides), while its is executed on a black background. k) The interior bears a thin, reserved band. Exterior: The back part of a male figure's head and shoulder, as well as part of the drapery. l) Black interior. Exterior: The male figure's shoulder and part of his draped body. On his right there is the outer part of the motif that contours the springs of the handles. m) Part of the male figure's leg, knee and tibia, which is projected, as if he is ready to take a step. On the left top side there is part of a vertical, thin, reserved band (upper part of a walking-stick). n) Black interior. Exterior: The lowest part of the figure's drapery and a vague representation of his feet ? He appears to be standing on a pattern that consists of a chess-like motif close to two, double-meander ones, framed by two lines above and one below. o) Black interior. Exterior: The lower part of the figure's walking-stick that seems to stand on the double-meander pattern. On the left of the walking-stick, there is part of the back side of another draped figure (male), with the same careless rendering of the feet. p) Black interior. Exterior: Part of the walking-stick and drapery of the second figure. q) Black interior. Exterior: Small part of the second figure's drapery. r) Black interior. Exterior: Small part of the second figure's drapery. s) Small part of the second figure's drapery. t) Black interior. Exterior: Part of the lower termination of the second figure's drapery as well as his right foot? On the left, part of his walking-stick. He seems to be standing on part of the double-meander pattern. u) Black interior. Exterior: Part of the pattern that consists of the chess-like motif, next to part of a double-meander one, on top of which there is the lowest part of a figure's foot? (clumsily rendered). v) Black interior. Exterior: The lower part of the drapery and right foot of another similar figure that satnds on the double-meander pattern. w) Black interior. Exterior: Part of the figure's drapery. x) Black interior. Exterior: Part of the figure's drapery. y) Black interior. Exterior: Part of the figure's drapery. z) Black interior. Exterior: Part of a male figure's arm and hand. aa, ab and ac) Part of the rim and neck. The exterior bears a broad black band and the interior bears a reserved area between two black bands. ad) There is a reserved line on the interior, while the exterior is black, apart from a reserved spot of unclear shape and another, similar one that bears a thin, black line.
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