| 2009.10.2.149
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Naked figure of Hermes in a cloak with caduceus. On his right the initals M A and on his left G F.
Number 21.
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| 2009.10.2.21
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Portrait of woman wearing corona muralis. Probably Cybele.
Number 21
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| 2009.10.2.231
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Semi-nude female figure sitting on a rock with drapery around her waist, holding an object. Accompanied by two winged children and a basket
Number 21
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| 2009.10.2.365
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Bellerophon with a spear, flying on Pegasus, fighting the Chimaera. Number 21
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| 2009.10.2.89
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Man sitting playing a harp, with a temple in the background to his left.
Gem cast number - 21
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| 2009.8.167
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A woman sitting on a throne, probably a goddess, with stars above her head. Cast number: 21
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| 2009.8.230
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Profile of a young man with wavy short hair, looking right. Cast number: 21
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| 2009.8.65
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A naked young man with wavy hair and with an outstretched arm. Maybe an athlete. Cast number: 2A or 21?
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| 2009.8.77
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Profile of a young woman, ribbons in her hair, holding a flower in her hand, with the other picking one end of her dress. Inscription on the left side. Probably Psyche. Cast number: 21
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| 2009.9.186
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Profile of a young man with wavy hair, looking right. Cast number: 21
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| 2009.9.283
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A warrior with a beard wearing a helmet and holding a spear and a shield, receiving a wreath from a woman with wings, probably Nike. On the left side next to Nike is a cornucopia, on the right there is a basket with fruits and wheat ears as well as a bird. Cast number: 21
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| 2009.9.7
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Portraits of two young man looking at each other. Cast number: 21
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| 2009.9.88
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A naked winged child wearing a robe around his shoulders, standing in front of a goose or duck. Cast number: 21
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| 2020.8.1
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Simple profile cartoon drawing of Paolo Orsi, slightly balding, bespectacled, with moustache & pointed beard; wearing a suit & tie. Signed "W.R. Lawson / Siracusa.1929. / 'Deus sit vobiscum'". Framed behind glass, in a simple black frame, with "P. Orsi / Syracuse April 1929" in pencil on the wooden back. Gummed label on back identifying framer: "From J.P. Ballard, Reading Fine Art Gallery, 21, Cross Street, Reading. / Printseller, Mount Cutter, Gilder and Picture Frame Manufacturer. / Dept for Windsor & Newton's Specialties./ For Repeat Orders please quote No. 4492" (4492 written in pencil).
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| 35.5.15-19
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Inside, 20b, meander border broken by cross, small piece of drapery. Outside, 19, two males in himatia facing, standing by a cushioned stool; hanging on the wall a shield and sheathed sword; 20a, tendril and corner of drapery; 21, tendril and part of himation; 22 and 23, bits of himation. No relief contour; brown for border of himation on 12 and 22, markings on seat of stool, cushion, and sword sheath.
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| 35.5.20-22
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Inside, 21, 22, meander border broken by square (rubbed and indistinct). Outside, 20, arm and part of body of woman dancing, the sleeve of her chiton pulled down over her hand; watching her a male in himation with stick, behind him a dropping lotus; 21, legs of male in himation with stick; 22, palmette. No relief contour; brown for bottom edge of himation.
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| REDMG:1953.25.23
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Mouth black outside; reserved neck; black on exterior of handle; band of black vertical bars above band of black rays on shoulder. Body (at front, only): black line; two rows of black dots alternating with white dots; two black lines; figural scene. Body, below: black band, black line, broad black band, black line, black to foot and on top of foot; black band on lower part of concave element; otherwise reserved. Figural scene depicts a male figure wrestling a bull. The figures are flanked by trees with black and white fruits and thin vines. The heros clothes hang on the left tree and his quiver hangs above him. While this scene might depict either Herakles with the Cretan bull or Theseus with the (same) bull of Marathon, the incisions on the head covering (slightly stippled) suggest that this is a schematic rendering of Herakles lion-scalp helmet. Added white is used for the rendering of details such as fruit on trees, as well as the forepart of the bull, and his tail, while incision is used to indicate the drapery, quiver, and musculature of the hero, as well as his head covering. On attribution, cf. CVA Cambridge 1, pls. 22, 21.
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