| 2022.7.8.a
|
42.9.1 Comparanda Beazley DB: 5582, ATHENIAN, BASEL, ANTIKENMUSEUM UND SAMMLUNG LUDWIG, ASCONA, MARKET, AACHEN, PRIVATE, DR. P. LUDWIG, LU47
|
|
| 2022.7.8.b
|
42.9.1 Comparanda Beazley DB: 5582, ATHENIAN, BASEL, ANTIKENMUSEUM UND SAMMLUNG LUDWIG, ASCONA, MARKET, AACHEN, PRIVATE, DR. P. LUDWIG, LU47
|
|
| 2022.7.8.c
|
42.9.1 Comparanda Beazley DB: 5582, ATHENIAN, BASEL, ANTIKENMUSEUM UND SAMMLUNG LUDWIG, ASCONA, MARKET, AACHEN, PRIVATE, DR. P. LUDWIG, LU47
|
|
| 2022.7.8.d
|
42.9.1 Comparanda Beazley DB: 5582, ATHENIAN, BASEL, ANTIKENMUSEUM UND SAMMLUNG LUDWIG, ASCONA, MARKET, AACHEN, PRIVATE, DR. P. LUDWIG, LU47
|
|
| 2022.7.8.e
|
42.9.1 Comparanda Beazley DB: 5582, ATHENIAN, BASEL, ANTIKENMUSEUM UND SAMMLUNG LUDWIG, ASCONA, MARKET, AACHEN, PRIVATE, DR. P. LUDWIG, LU47
|
|
| 2022.7.8.f
|
42.9.1 Comparanda Beazley DB: 5582, ATHENIAN, BASEL, ANTIKENMUSEUM UND SAMMLUNG LUDWIG, ASCONA, MARKET, AACHEN, PRIVATE, DR. P. LUDWIG, LU47
|
|
| 2022.7.8.h
|
42.9.1 Comparanda Beazley DB: 5582, ATHENIAN, BASEL, ANTIKENMUSEUM UND SAMMLUNG LUDWIG, ASCONA, MARKET, AACHEN, PRIVATE, DR. P. LUDWIG, LU47
|
|
| 2022.7.8.i
|
42.9.1 Comparanda Beazley DB: 5582, ATHENIAN, BASEL, ANTIKENMUSEUM UND SAMMLUNG LUDWIG, ASCONA, MARKET, AACHEN, PRIVATE, DR. P. LUDWIG, LU47
|
|
| 2022.7.8.l
|
42.9.1 Comparanda Beazley DB: 5582, ATHENIAN, BASEL, ANTIKENMUSEUM UND SAMMLUNG LUDWIG, ASCONA, MARKET, AACHEN, PRIVATE, DR. P. LUDWIG, LU47
|
|
| 2022.7.8.m
|
42.9.1 Comparanda Beazley DB: 5582, ATHENIAN, BASEL, ANTIKENMUSEUM UND SAMMLUNG LUDWIG, ASCONA, MARKET, AACHEN, PRIVATE, DR. P. LUDWIG, LU47
|
|
| 45.6.34
|
Perhaps there are similar things from earlier period in Cyprus and Near East. Look also in MonAnt 22 (1913) pl. 70.4 for comparanda to Michigan type. Contra Michael Turner (Sydney) who says (11.2003) that there are no black glazed examples of this shape.
|
|
| 51.7.5
|
Belongs to the class of 'Ornate Style' small vases connected both with the Darius Painter and with the Patera and Ganymede Painters. Particularly close comparanda are Heidelberg U 15 (CVA pl. 77.4-6, RVAp 26/11) and Metaponto 128723 (from Pizzica d'Onofrio: seeJ. Carter, Ancient Crossroads fig. 31a; RVAp 26/15).
|
|
| REDMG:1951.144.1
|
For comparanda ssociated with the Sea-Horse Group (works of the Darius Painter) cf. Copenhagen 599 (CVA 6, pl. 249.1); Ruvo Jatta Collection (EAA 2, 496); Milan H.A. Collection 453 (CVA 1, pl. 41.6); Taranti from Ruvo (Via 1 Maggie), unpublished.
|
|
| REDMG:1951.157.1
|
No precise comparanda have been found but for a female head to left, between tendrils, on a squat lekythos, see Fasan, Meo-Evoli inv. 172-74: Reho-Bumbalova 1979, 141 nos. 82-84, pl. 70.
|
|
| REDMG:1964.1622
|
For shape RM.25.53.23. For such tapering 'cucumber', survivals of the Late Corinthian Archaic type see Corinth 13, 140-41, fig. 15, e.g. Corinth T1243: Corinth 13, 223 no. 281-5, pl. 40. Typically Corinthian foot. Cf. also (banded) Attic olpai: Agora 12, pl. 12. Many jugs of similar shape (local imitations?) were found in Sicily, e.g. Agrigento, although many without distinct bases. For comparanda, however, see Veder Greco 295 (an example with a slightly upcurving handle, from Contrada Pezzino, tomb 1316).
|
|