| 11.10.19
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Ure (CVA) notes that the shoulder pattern is very near to that of the Theseus Painter
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| L.2011.1.37
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For the sacred monogram in the central discus see to Catalogue of the lamps in British Museum, vol III, 27, pl. 20, group I(c)iii, no Q1761, Hayes type IIB; comparisons in Ennabli 868-76; Hayes ROM 290, all from Carthage.
For the shoulder decoration (herring-bone pattern), compare with Q2568, Q2569 (Catalogue of British Museum).
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| L.2011.1.43
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For the decoration of the central discus, see the Catalogue of British Museum, vol. III, group I(c)iii, no Q1759. For the quatrefoil pattern on the shoulder, compare to Q1768, Ennabli type I4.
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| REDMG:1934.53.4
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A.C. Smith. Shirley Schwarz, 'The Pattern Class Vases of the 'Gruppo di Orvieto' in the U.S. National Museum Collection, Smithsonian Institution, Washington, D.C.' StEtr 47 (1979) 75-80 publishes 17 examples of this class, none of which, however, are decorated with the 'z'. That pattern does, however, appear on chalices in the same group: see Schwarz 1979, 72 fig. 2d.
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| REDMG:1951.160.1
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Trendall, LCS 132.670, places this bell krater in the earliest group of vases attributed to the Roccanova Painter, which 'show Apulian influence most clearly' yet indicate the Roccanova Painter's developed style, e.g. the Z pattern, the palmette between the figures, and the stocky style of the figures.
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