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There are 6 objects for which Attribution contains → been
45.10.1 A.C. Smith. The lotus bud is quite unusual, and this and other decorative elements relate this epichysis to the Egg and Wave Group, a workshop that specialised in small vases and was related to he Iliupersis Painter. There is also a slight resemblance to the work of the Lampas Group, followers of the plain style: cf. Scottsdale, Cutler Collection (RVAp 11/206a). Although no other epichyses have been attributed to this group/artist, the group seems to represent the work of a versatile artist, influenced by the Truro and Lecce Painters and associates, who favored smaller vases, specialising in single figures, often animals, surrounded by ornament of the type shown on this epichysis, especially tendrils, buds, and bulls-eyes, with large added white dots. Cf. especially Karlsruhe B 938 (RVAp 10/232) and New London, Lyman Allyn Museum 1955.1.83 (RVAp 10/234).
47.6.2A-B The name 'Herakles Painter', for the 'Sam Wide Painter', as suggested by A.N. Stillwell (see Corinth 15.3, 370 n. 1), has not yet been adopted.
47.8.1 The name 'Herakles Painter', for the 'Sam Wide Painter', as suggested by A.N. Stillwell (see Corinth 15.3, 370 n. 1), has not yet been adopted.
51.1.2 Beazley (but the attribution has been since withdrawn): Para 300
64.7.1 The name 'Herakles Painter', for the 'Sam Wide Painter', as suggested by A.N. Stillwell (see Corinth 15.3, 370 n. 1), has not yet been adopted.
REDMG:1951.142.1 No precise comparanda have been found but the ornament on this vase relates it to the works of the minor painters and workshops associated with the Iliupersis Painter and other painters (Cambitoglou and Trendall, RVAp ch. 11). Cf. particularly Liverpool 50.60.65 (RVAp 11/116).
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