22.3.22
|
Trendall and Cambitoglou, RFVA 1.124.210, attribute this fragment to the 'developed style' of the Lecce Painter, a follower of the Tarporley Painter.
|
|
51.7.11
|
Trendall, PP 159.275, attributes this krater to Python's 'more developed' style
|
|
REDMG:1951.148
|
Trendall and Cambitoglou, RFVA 1.317 and 1.320.25, class this among vases in the 'developed style' of the Snub-nose Painter.
|
|
REDMG:1951.160.1
|
Trendall, LCS 132.670, places this bell krater in the earliest group of vases attributed to the Roccanova Painter, which 'show Apulian influence most clearly' yet indicate the Roccanova Painter's developed style, e.g. the Z pattern, the palmette between the figures, and the stocky style of the figures.
|
|